Oil Portraiture
(on hardboard or canvas)
Size
Fees*
Head and Shoulders
16x20
$ 1,800
Head and Shoulders
18x24
$ 2,100
Waist Up 3/4 view (including hands)
18x24
$ 2,400
Waist Up 3/4 view (including hands)
20x24
$ 2,700
Waist Up 3/4 view (including hands)
24x32
$ 3,200
Full Figure
24x36
$ 3,600
Full Figure
36x48
$ 6,000

 

Charcoal Portraiture
(on hardboard or rag paper)
Size
Fees*
Head and Shoulders
11x14
$ 190
Head and Shoulders
16x20
$ 300
Waist Up 3/4 view (including hands)
16x20
$ 450
Waist Up 3/4 view (including hands)
18x24
$ 540
Full Figure
18x24
$ 700

* Fees are for single figures only and include simple vignette backgrounds and plain props such as chairs for seated figures. For more elaborate backgrounds, complex jewelry or fabric, paintings larger than 36x48 inches, or additional figures, there will be an additional fee depending on size and complexity. You are also responsible for any travel and living expenses incurred for me to come to your location (if we agree that travel is necessary).

Deposit:
A non-refundable payment of thirty percent (30%) of the total fee plus any agreed upon up front expenses is required prior to the commencement of the commission. An additional thirty percent (30%) is due upon your approval of the charcoal rendering or sketch upon which the painting will be done. The balance is due upon your acceptance of the finished portrait.

Portrait Procedure:
I will visit with you to discuss ideas for the portrait and assess your preferences and style - painting size, figure positions, where you intend to display the painting, etc. Clothing is an essential element of a portrait composition. We can discuss and select elements from your or your subject's wardrobe that will enhance the portrait. Occasionally I will encourage the purchase of special clothing for a portrait. Suitable backgrounds for the painting can be located in or around your home or city or developed in my studio if you prefer. I can work from a photo you select, or I will take several rolls and we will select the best photographs together. Also, location and travel permitting, I recommend that we conduct one or more sittings to allow me to sketch positions and backgrounds, and when the painting is nearly completed, to match skin tones more closely.

Materials:
I use only the best archival paint and structural materials. The materials and workmanship of your painting are guaranteed - I will fix or replace your painting in the event of a material failure of structure or workmanship. Like the old master works, your painting should literally last for centuries. For paintings smaller than 24x36 inches, I prefer to work on hardboard coated with bonded marble gesso, or linen on hardboard. For paintings larger than 24x36 inches, stretched canvas or linen is necessary, but it is more fragile than painting on wood. If you prefer, I will gladly paint your painting on stretched canvas or linen in any size.

Old Master Reproductions:
I don't price reproducing an old master painting on this site because the variables are too wide for me to accurately estimate the effort. Please contact me in person (email) if you would like to discuss a commission to reproduce an old master work and get a price quote.

Framing:
If you prefer, I can assist you in selecting an appropriate frame for matching particular display situations in your home, office, or another setting.